HOME ABOUT PROJECTS THREE PHASE CONTACT SEARCH More... Handmade Book 1992 7x9 ​ This book was made using vintage photos, construction paper, and resin coated photo paper sent through a Xerox machine, map scraps, and electrical, scotch, and masking tape. I used a sewing machine to stitch it together. The book had been in storage for years and I decided to document it. ​ ​

HOME ABOUT PROJECTS THREE PHASE CONTACT SEARCH More... STAGES CLARA DIAMOND, NINA A. ISABELLE, & VALERIE SHARP GREEN KILL, KINGSTON, NY APRIL 15, 2017

HOME ABOUT PROJECTS THREE PHASE CONTACT SEARCH More... MOSS ROCK CAGE April 2020 Moss covered rock welded into hand-bent steel cage sold for a fundraising effort for HiLo Art in Catskill, NY during the pandemic.

HOME ABOUT PROJECTS THREE PHASE CONTACT SEARCH More... WEST HALL OPEN STUDIO RENSSELAER POLYTECHNIC INSTITUTE TROY, NY DECEMBER 11, 2022

HOME ABOUT PROJECTS THREE PHASE CONTACT SEARCH More... SOLVERMATH A conceptual math model tha t proves the improbability of knowing what you’re doing Click HERE to access the Sense-Object Intake Form. Wooden Block with Wire Object 1 Rubber Ball Object 2 Steel Wool Object 3 Brick Object 4 Bolt Object 5 Axe Head Object 6 Soup Can Object 7 Light Bulb Object 8 Bees Wax Object 9 Polyfill in Plastic Object 10 Superfund Site Specimen Object 11 Purple Glass Object 12 Pear Wood Object 13 Field Crystal Object 14 Sheet Steel 5.5"x7"x.25" Object 15 Pressure Treated Spindle Cut-off Object 16 Leather-bound Cowboy Book Object 17 Sea Rock Object 18 Interactive Frequency-Generator Tool To use: Click green arrow & drag finger across bar to produce tones. Click red X to stop LINK TO SENSE-OBJECT INTAKE FORM Solvermath in an interactive experience that allows the human body to identify tones in potential relationship to physical objects. The experience involves either viewing a virtual object or holding a physical object while interacting with a frequency-generator tool* capable of producing up to 20kHz. ​ The human body is a sophisticated and responsive module capable of intermediating, detecting, and deciphering variables outside the realm of its awareness. Solvermath uses relational math to reveal an absence of relation between sense-informed response and sense of knowing. The project is inspired by Gödel's theorems concerning the limits of provability which say that “it is impossible to give a meta-mathematical proof of the consistency of a system comprehensive enough to contain the whole of arithmetic unless the proof itself implies rules of inference different in certain essential respects from the transformation rules used for deriving theorems within the system” and that “any other system within which arithmetic can be developed, is essentially incomplete because there are true number-theoretical statements that cannot be derived in the system.” ​ The initial phase of Solvermath collects data from individual human interactions with the frequency-generator tool and the sense-objects. The second phase uses a redesigned version of relational math to form a conceptual math model that describes the space between awareness and action, and aims to highlight the improbability of knowing what we're doing. To participate, open the Google form through this link in either a separate window, on a separate screen, or other device. Keep this page open so that you can use the frequency-generator tool above. In the form on the second screen or device, you will see images of each sense-object. Using the interactive frequency-generator tool on this page, find the Hz frequency (or range of frequencies) that you sense correspond to the visual image (for remote participants) or the physical object you are holding in your hand (for those participating physically.) Enter the numbers into the form field associated with each image. To use the interactive frequency-generator tool, slide the finger back and forth on the bar from 1Hz - 20,000Hz. Click the green arrow to sense & hear the sound. Click the red X to stop the frequency. You'll notice the Hz number changing as the finger slides back and forth. You may also enter any number between the two arrows to experience a frequency between 1 Hz and 20 kHz. The frequency-generator tool produces tones that travel through the air as waves that the human body can detect through somatic listening. The experience is not designed to be used with head phones or earbuds. If you are participating remotely, view each image while interacting with the tone-generator tool and choose the tone (or range of tones) you feel represent the object in the image. Enter the Hz number(s) you identify with each object into the form with the corresponding image. For those who have access to the physical objects, hold the object in one hand while sliding a finger back and forth on the frequency-generator tool. You may detect a vibrating sensation in the hand-held object in response to certain frequencies or within a range of frequencies. Enter the numbers of the frequencies you notice into the form. Please enter your real or fake name, the real date, and indicate either "Remote" or "Physical" for each entry. After you submit the form, you will see the message "Thank you for participating with Solvermath! Your response has been recorded." This means your submission has been accepted and recorded. You may participate as many times as you like. ​ Email questions or comments to Nina Isabelle at isaben@rpi.edu or to schedule physical access to sense-object set. *frequency generator designed by Tomasz P. Szynalski / modified by Brian McCorkle

HOME ABOUT PROJECTS THREE PHASE CONTACT SEARCH More... MOTHER VS GOD A short creepy video by Nina Isabelle ​ September 28, 2016 ​ The Dead Are Not Quiet was organized by Scott Mitchell Putesky, an artist and musician best known for his work as the guitarist and co-founder of the musical group Marilyn Manson. the exhibition will run concurrently with “The Haunted Art of T. Jefferson Carey. Exhibiting Artists in The Dead Are Not Quiet include Addison Stonestreet, Alex Ingram, Alison Chen & Michael Covello, Anne Pelej, Cayce Wheelock, Clayton Llewellyn, Dakota Noot, Dan Adams, Daniel Corona, David Russell Talbott, Emily Hastings, Eric Potts, Garrett Wear, Hannah Johansen, Hugh Schock, Ivy Guild, Janice Grinsell, Jenya Armen, John Purlia, John Straub, Julia Oldham, Karim Shuquem, Kurosh Yahyai, Larry Caveney, Liza Hennessey Botkin, Lucas Novak, Maidy Morhous, Michelle Mueller + Erik Mueller, Natalie Meredith, Nathaniel Clark, Nina Isabelle, PANCA, Paul Koester, Philip Petrie, Rita Miglioli, Robin Spalding, Shahla Rose, Sheena Rae Dowling, Wick Alexander, and Yvette Jackson.

HOME ABOUT PROJECTS THREE PHASE CONTACT SEARCH More... SHAPE OF A FEELING Photographs of Piles by Nina Isabelle COLLECTION STARTED NOVEMBER 12, 2018

HOME ABOUT PROJECTS THREE PHASE CONTACT SEARCH More... TWO THINGS CRACK IN HALF A Griswold Cast Iron pan from 1947 that belonged to my grandmother and a 500 ml Luminarc Working Glass both cracked in half in my kitchen on the same day. On December 27, 2022, I performed a photographic study and documentation of the objects. On February 20, 2023, I interviewed ChatGPT to help me understand. View & download full-color 30 page document here:

HOME ABOUT PROJECTS THREE PHASE CONTACT SEARCH More... BANGKOK UNDERGROUND CINEMA ​ The Bangkok Underground Film Festival 2017 program consists of a series of events across multiple venues in Bangkok. Co-organised by Speedy Grandma , emesis , Bridge Art Space & Jam Caf é , with support from VS Service , Projectionist Asia , Panda Records and Museum Siam . ​ MARCH 5-12, 2017

HOME ABOUT PROJECTS THREE PHASE CONTACT SEARCH More... PROPERTY ROMAN SUSAN & ROGERS PARK / WEST RIDGE HISTORICAL SOCIETY APRIL 1, 2017 TELLERS I The women and girls from St. Henry's First Communion at 6235 N Hoyne Ave predict the future of the Devon Bank at 6445 N Western Avenue. 20x30 NINA A. ISABELLE February 2017 TELLERS II The women and girls from St. Henry's First Communion at 6235 N Hoyne Ave predict the future of the Devon Bank at 6445 N Western Avenue. 20x30 NINA A. ISABELLE February 2017 ALONG THE WAY Streicher and friends have been displaced. Transported by a drunken maritime time traveling expedition, the three men find themselves near the Chicago surface line sign at 2100 W Touhy Avenue. Peter Van Iderstein's boat, launched at at Greenleaf Avenue and Lake Michigan, has been repurposed as a time traveling vessel. NINA A. ISABELLE 20x30 February 2017 Roman Susan Art Foundation and the Rogers Park/West Ridge Historical Society will present a collaborative exhibit in Spring 2017 reflecting the way neighborhoods emerge and change as a result of land development. For this project, the Historical Society has placed 100 images from the Rogers Park/West Ridge photography archive into the creative commons. The exhibition will include repurposed and reimagined responses to the historical photographic archive. ​ View the full selection of images dating from 1870 to 2005 here: https://www.flickr.com/photos/rpwrhs/sets/72157676302462950/ The selection of original images include photographs donated to the Historical Society from the collections of Leonard and Lillian Adler, Katherine Allen (née Dittmar), LeRoy Blommaert, Lillian M. Campbell, Ann Davis Dix, Gail Donovan, Paul and Jean Einsweiler, Fred Elisius, Dorothy Ferguson, Stephen C. Ferguson, Howard Frink, John Peter Geroulis, Ken Gustafson, Elizabeth Habman, Gladys Hoaglund (née Van Iderstein), Maryl Hook, Leslie Keeling (née Pollard), Anthony Kingman, James and Sally Kirkpatrick, Carmen Lara, Rasmus Larson, James C. McCabe, J. Curtis Mitchell, William Morton, Margaret Mary Muno, Marcella Polonsky, Jean R. Price, Sidney and Ann Rockin, Marie Roti (née Bornhofen), Richard Schaul, Grant Schmalgemeier, Marty Schmidt, Toni Sherman (née Albanese), George and Margot Striecher, Mel Thillens, Sr., Ceal Thinnes, Mary Thiry (née Mertens), Albert and Loretta Weimeskirch, Gerald Wester, John Winkin, the American Legion Rogers Park Post #108, Angel Guardian Orphanage, B'nai Zion Synagogue, George Buchanan Armstrong School of International Studies, Cook County Federal Savings & Loan, Devon Bank, Mundelein College (Loyola University Chicago), North Town Public Library, Rogers Park Women's Club, Philip Rogers School, RREEF Management Company, S&C Electric Company, St. Margaret Mary Archives, and Sullivan High School. ​ Tellers I The women and girls from St. Henry's First Communion at 6235 N Hoyne Ave predict the future of The Devon Bank at 6445 N Western Avenue. Tellers II The women and girls from St. Henry's First Communion at 6235 N Hoyne Ave predict the future of The Devon Bank at 6445 N Western Avenue. Along The Way Streicher and friends have been displaced. Transported by a drunken maritime time traveling expedition, the three men find themselves near the Chicago surface line sign at 2100 W Touhy Avenue. Peter Van Iderstein's boat, launched at at Greenleaf Avenue and Lake Michigan, has been repurposed as a time traveling vessel.

HOME ABOUT PROJECTS THREE PHASE CONTACT SEARCH More... LIVESTREAM NINA ISABELLE & ADRIANA MAGAÑA PERFORM DURING UPSTATE ART WEEKEND AT JENNIFER ZACKIN'S STUDIO IN WOODSTOCK, NY JULY 2022 Photo by Jennifer Zackin

HOME ABOUT PROJECTS THREE PHASE CONTACT SEARCH More... LANDLINES Performance by Nina Isabelle & Jennifer Zackin at CX Silver Gallery in Brattleboro, VT. August 26, 2018 An interactive type of immersion-therapy, Landlines invites viewers & participants to make their own meaning out of actions and gestures happening within a sea of dissonance. How do we cultivate the cultural phenomena of communication while agendas of power and dominance try to hijack our semiotic proclivity with fake news and ad campaigns designed to entrench us in divisive notions of entitlement and correctness? When lines of communication become connected to fear, anger, and resentment, how do we clear and reground them to empathy and grace? ​

HOME ABOUT PROJECTS THREE PHASE CONTACT SEARCH More... PIANO PORTRAITS ​ By Linda Mary Montano with Nina Isabelle, & Jennifer Zackin HiLo Catskill, NY February 11, 2018 ​ During these dangerous / confusing / armageddonned times, we are all looking for connection, understanding and warmth. The three of us are committed to providing public art medicine. ART=LIFE=ART. For our PIANO PORTRAITS event at HiLo, we invite audience member-collaborators to sit in a chair on stage to receive a public art healing. Linda Mary Montano will improvise your piano portrait, Nina Isabelle will interpret you through action / movement, and Jennifer Zackin will macrame. Using knots and rope, sunglasses, costumes, blindfolds, action, movement, and sound, we will publicly heal ourselves and you. ART HEALS! ​ Photos by Adolfo Ibanez Ayerve and Carrie Dashow ​ Piano Portraits at HiLo Piano Portraits at HiLo with Linda Mary Montano, Nina Isabelle, and Jennifer Zackin. Photo by Adolfo Ibanez Ayerve Piano Portraits at HiLo Piano Portraits at HiLo with Linda Mary Montano, Nina Isabelle, and Jennifer Zackin. Photo by Adolfo Ibanez Ayerve Piano Portraits at HiLo Piano Portraits at HiLo with Linda Mary Montano, Nina Isabelle, and Jennifer Zackin. Photo by Adolfo Ibanez Ayerve Piano Portraits at HiLo Piano Portraits at HiLo with Linda Mary Montano, Nina Isabelle, and Jennifer Zackin. Photo by Adolfo Ibanez Ayerve Piano Portraits at HiLo Piano Portraits at HiLo with Linda Mary Montano, Nina Isabelle, and Jennifer Zackin. Photo by Adolfo Ibanez Ayerve Piano Portraits at HiLoa_3 Piano Portraits at HiLo with Linda Mary Montano, Nina Isabelle, and Jennifer Zackin. Photo by Adolfo Ibanez Ayerve Piano Portraits at HiLo Piano Portraits at HiLo with Linda Mary Montano, Nina Isabelle, and Jennifer Zackin. Photo by Adolfo Ibanez Ayerve Piano Portraits at HiLo Piano Portraits at HiLo with Linda Mary Montano, Nina Isabelle, and Jennifer Zackin. Photo by Adolfo Ibanez Ayerve Piano Portraits at HiLo Piano Portraits at HiLo with Linda Mary Montano, Nina Isabelle, and Jennifer Zackin. Photo by Adolfo Ibanez Ayerve Piano Portraits at HiLo Piano Portraits at HiLo with Linda Mary Montano, Nina Isabelle, and Jennifer Zackin. Photo by Adolfo Ibanez Ayerve LINDA MARY MONTANO is a seminal figure in contemporary feminist performance art and her work since the mid 1960s has been critical in the development of video by, for, and about women. Attempting to dissolve the boundaries between art and life, Montano continues to actively explore her art/life through shared experience, role adoption, and intricate life altering ceremonies, some of which last for seven or more years. Her artwork is starkly autobiographical and often concerned with personal and spiritual transformation. Montano’s influence is wide ranging – she has been featured at museums including The New Museum in New York, MOCA San Francisco and the ICA in London. www.lindamontano.com NINA ISABELLE is a process-based multidisciplinary artist working with action and perception. She works to deconstruct sensory input to the extent that meaning becomes shifted and interpretations become a phenomena of psychic imprint. By incorporating physical movement, modified technology, art and non-art objects, her work builds systems of action designed to intuit site-specific information- tethering the collective, personal, and regional relative narratives that drive the performance space machine toward trajectories of new perception, belief, and possibilities. Referencing the inability of communication which is used to visualize reality, the failure of dialogue, the dissonance between form and content, as well as the shortcomings of literal language, Isabelle pushes material and information past the point of recognition in a way that forces a shift in meaning, revealing new information that can transform and challenge the limits of material, perception, and belief. Her work has been exhibited at The San Diego Art Institute, The Bangkok Underground Film Festival, HiLo Catskill, the CICA Museum in South Korea, and most recently, The Mothership in Woodstock, NY. www.ninaisabelle.com JENNIFER ZACKIN has been integrating public art, sculpture, installation, performance, collaboration, ceremony, photography, video, collage and drawing into acts of reverence and reciprocity for the past 14 years. Whether wrapping trees in patterns of brightly colored rope, growing medicinal herbs in a public garden for public use, offering large masses of rose petals to oceans and lakes, creating absorbent tentacles ("hair booms") out of salvaged materials to aid in the clean-up efforts of toxic spills, Zackin seeks to engage and create community in her process, bringing art and ritual into everyday life. Every act is an exploration of exchange, communion, performance, skill-sharing and mark-making. Writing in a cataloque essay about her work Lori Waxman states; “Jennifer Zackin has worked with Rose Petals, Little Plastic Cowboys, pre-Columbian symbols, bright handmade pom-poms, cheap mass-produced posters, coca leaves, and her grandfathers old Super-8 home movies. How she weaves them into rhythmic, often meditative forms depends in great part on the underlying pattern that she is able to detect and orchestrate among her diverse materials.” Her work has been exhibited in national and international museums, including the Whitney Museum of American Art NY, Aldrich Museum of Contemporary Art CT, Spertus Museum - Chicago IL, Rose Museum MA, the Wexner Center for the Arts OH, Contemporary Art Museum - Houston TX, The Henie Onstad Kunstsenter, Høvikodden - Norway, Institute of Contemporary Art - Boston MA and the Zacheta National Art Gallery - Warsaw, Poland. Commissions include Governors Island NYC with LMCC, Katonah Art Museum NY, Socrates Sculpture Park LIC - Queens NY and the Berkshire Botanical Gardens - Stockbridge, MA. She is the recipient of fellowships and residencies, including Factory Direct at Pinchbeck Rose Farm, Art Omi, Atlantic Center for the Arts and the Skowhegan School for Painting and Sculpture. www.jenniferzackin.com Event photo: Carrie Dashow

LISTENING MEDIUMS OCTOBER 2022 HOME ABOUT PROJECTS THREE PHASE CONTACT SEARCH More...

HOME ABOUT PROJECTS THREE PHASE CONTACT SEARCH More... 650 ML. OF LUNG PUSS A seventeen-day artlife performance at Westchester Medical Center's Maria Fareri Children's Hospital in Valhalla, NY December 18, 2019 - January 3, 2020 650 ml. of Lung Puss was a seventeen-day performance initiated by a dire circumstance that ultimately demonstrated a quantum aspect of artlife processes. Influenced by my friend and artlife colleague Linda Mary Montano, the performance inspired a deeper understanding of a performance process that summons elemental energies from a nonlocational power source. These energies exist in a state of quantum superposition and can be programmed using intention, determination, focus, and sacrifice, to transmute pain, suffering, and trauma into tolerance, endurance, resilience, self awareness, control, forgiveness, grace, and gratitude. The performance began on December 18th when I carried my near lifeless and blue 94lb. daughter across a large, dark, silent, windy, and cold parking lot into the hospital's emergency room. The energies that fueled this difficult task were conjured from a deeply derived performative physical power cultivated by all mothers collectively throughout eternal time combined with the tension building from a deadlocked schism between my intuition and the medical authorities. In the past two days, we had been sent home from the emergency room and a pediatrician's office. Meanwhile, my daughter had developed sepsis from Scarlett Fever, Pneumonia, and a pleural effusion in her left lung. Our hospital performance engaged members of our close community, artlife collaborators and colleagues, friends and family, and the larger medical community of ambulance drivers, EMTs, emergency room attendants, nurses,doctors, phlebotomists, surgeons, lab and x-ray technicians, infectious disease specialists, sanitation specialists, medical administrators, and so on. Together, we collectively transformed into an unintentional ensemble performing actions together as our best selves in order to save a child's life. We embodied multiple and often simultaneous roles and embraced the fluctuating spaces between these modes. We performed as mothers, organizers, brothers, partners, distractors, whisperers of encouragement, visitors, tear swallowers, fear fighters, candle lighters, gift givers, keepers of tempers, story book readers, temperature takers, practitioners of patience, hand holders, phone callers, researchers, organizers, group texters, medicine givers, vomit bucket holders, comforters, food providers, errand runners, and healers. On the final day of our hospital performance, Linda texted "rest art!!!" to our group. We were finally able to go home, perform rest, and RESTART. This performance demonstrated that art and life function as entangled dimensions through subtle quantum artlife processes. We learned that approaches effective in art and performance dimensions are also effective in dimensions of life and other realities, and that intentions and actions occurring within one dimension simultaneously reflect, impact, and are made evident in multiple ways throughout multiple dimensions. Engaging with life circumstances through performative art mechanisms allows us to translate the diverse array of creative skills derived from our disciplined artlife practices, (our responsive, intuitive, reflexive, mindful, and conceptual abilities,) into cognitive modes of awareness that inform the new life patterns necessary to thrive as artists in life. Through this post-conceptualizing processes, we gain the ability to sidestep linear chronologies and reframe the concepts of our engagements post-performatively as a way to articulate with the personal mechanisms of awareness and control necessary to make meanings and choices that fortify our collective artlives in new and beneficial ways. List of Performers: Paul DeVincent, Ernest Goodmaw, Sylvia Hallibelle, Chris Hallman, Erik Hokanson, Eric Hurliman, Ulysses Hurliman, Bg Isabelle, Ed Isabelle, Kate Isabelle, Lou Isabelle, Louie Isabelle-DeVincent, Margie Isabelle, Nina Isabelle, Brian McCorkle, Jill McDermid, Paul McMahon, Linda Mary Montano, Ever Peacock, Mor Pipman, Valerie Sharp, Maureen Sharp, Luke Stence, Jennifer Zackin, and Havarah Zawaluk, many anonymous medical professionals, hospital workers, elementary school teachers, school nurses, community mothers and children.